On his first full-frontal exposure, during a Holocaust play in drama school:
"I remember getting a kind of rush out of that first time, a slight feeling of power about it, you know?"
On playing a bisexual character in 'The Pillow Book':
"There's tons of sex in that film. We didn't even bother putting clothes on between scenes. I had quite a full-on sex scene with a 75-year-old Japanese guy. We're kissing, and I remember going, He's got a mustache and that's kind of weird. Oh! That's definitely a scrotum. That's odd."
On kissing Jonathan Rhys Meyers in 'Velvet Goldmine':
"I remember when I kissed Johnny. It was just a rush at the end of the day. It was just an electrical moment, because you look around and some of the British electrician guys -- who are all mainly closeted homosexuals, I think -- were sitting around going 'Fuck, no.' But I like kissing boys on screen. As a straight guy, it's quite an interesting proposition. Anything on a film set that takes you by surprise like that, that gets your blood up, is good."
On his shifting onscreen sexuality:
"I'm always interested in playing different people, in different situations. It doesn't matter to me whether someone is in love with a man or a woman. I find the idea of love and romance interesting. I'm a sucker for it. I like playing someone who's falling in love because I like the sensation of it."
No comments:
Post a Comment